The ghoulish gig also gave him new insight into the millionairess, who, Putland says, history got wrong. Also, just getting into the vibe of who Sarah Winchester was and how she would decorate her house … That was quite a bonus that came with this job.” “She was very interested in her hand props and the way that she talked to the spirits. “She was quite an amazing person to work with,” he says. Most of all, the designer cherished the guidance of Winchester’s proxy - Helen Mirren. “That thing was still working.” The Winchester house in San Jose. “When it arrived, we had to get it functioning back to how it would’ve 120 years ago, and amazingly all we had to do was attach a battery,” Putland says. Such was the case with the annunciator, an early visual intercom system that indicated to servants which room Winchester was in, using a signal button. Other items were either so strange or expensive to duplicate that they had to be shipped from the house itself. Each step only rises two inches, meant to help the frail Winchester easily move about her property. One was the switchback staircase, which ultimately travels just one story, but comprises seven flights of stairs that fold back in on themselves. Some of the house’s most unique features, however, had to be built from scratch. CGI trickery aided with blending the locations into one. The trouble was, most of those Australian homes were made of stone, whereas the Winchester House is largely timber. For certain indoor scenes, the team searched exhaustively for local buildings from the same era to add authenticity. The film was shot far from San Jose - in Melbourne, Australia. “And we were in a totally different country, which added a whole level of challenges.” “We had six weeks to design and build the sets that we needed, before we started filming,” he says. While Winchester had 30-odd years to perfect her devilish dwelling, Putland and his crew lacked the luxury of time. “I don’t know if I was scared, but definitely in certain areas of the house you could feel a presence, or a strangeness,” he says. ![]() By the end, the designer still couldn’t navigate his way through the maze.īut, Putland says, he could sense its spirits. He snapped more than 300 photos of doorknobs and hinges, and took particular note of the collection of rare, 19th-century Lincrusta wallpaper, still in its original packaging, meant for rooms that were never built. Putland spent four days exploring the mammoth manse. Doors in floors! It was anything goes in that house.” Mirren and Jason Clarke in a scene from “Winchester.” CBS Films/Everett Collection Doors you think are covered, but actually open into hallways. “It’s such a complex of twists and turns, of hallways and staircases, and rooms within rooms … doors that open to nothing and doors that open to two-story drops. “Trying to replicate what Sarah Winchester did 150 years ago is a big challenge,” Matt Putland, the film’s production designer, tells The Post by phone from Brisbane, Australia. Re-creating the seven-story house, which still stands today as a tourist attraction, was no easy task for the filmmakers. ![]() Whatever the reason, the widow’s magnum opus is now the setting of the new horror movie, “Winchester,” out Friday, starring Helen Mirren as Sarah. Others speculate that a medium told her she was cursed by the victims of rifles made by her family, whose ghosts demanded she build them a house out West. Some say it was her way of grieving for her husband, William, treasurer of his family’s Winchester Repeating Arms Co. Nobody knows exactly why Winchester, who had inherited millions, sunk much of her vast fortune into its construction. She spent nearly four decades constructing it - up until her own death in 1922. Not long after the death of her husband in 1881, Sarah Winchester began building a 24,000-square-foot home in San Jose, Calif., that includes 161 rooms, six kitchens and countless spooky curiosities.
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